| Ghosts & Legends
of Wales by J.A. Brooks Lower Bailey Pit,
an unlikely name for a house, used to be the most
haunted house in Monmouth. The Pit is, in fact, a
reference to the swampy woodland where the old
farmhouse was situated. Although the name was
appropriate to the dank area it seems that it is
more likely derived from the Welsh 'Cad y put' -
the Pit of the Battle. In the late 1960s the
farmhouse lay deserted, crumbling gently in the
dampness of its setting. Even before it had been
abandoned it had its ghosts - a man with a wooden
leg stomped around the upper floors, yet no one
ever saw him. Terrible screams occasionally came
from the cellar: a maid had once been murdered on
the steps down to it. About eighty years ago the
lonely property was bought by a colonel who lived
there with his daughter; she avoided contact with
strangers because of a hideously disfigured face
which had been badly scarred by an accident with
an oil-lamp.
Thus
after twenty or thirty years without occupation
the big old house had come to have a thoroughly
nasty atmosphere: it was a place to visit with
bravado after a session in the pub. Thus three
young archaeologists, with their wives or
girlfriends, came to the building on a dark,
drizzly night. After briefly exploring the
downstairs of the house (upstairs looked even
more forbidding) the party settled down in a
large room on the ground floor. The air seemed to
turn more and more chill, there were noises from
above ... footsteps, perhaps. The girls wanted to
leave but were made to feel foolish by the men.
But then, without reason, one of them changed his
mind: 'Let's go,' he said, 'I don't like the feel
of this house at all. 'Picking up torches,
matches, cigarettes, they made their way to the
door and out into the driveway. But again one of
the men did the unexpected. Shining his torch on
the third-storey windows he said with almost
unnatural emphasis 'If there's anything in this
house, it's up there', and without heeding the
objections of the others turned back to the
derelict house. Another of the men chased after
him but was handicapped by the lady of a light
and only caught him up in the hallway. 'Hang on,;
he said, 'wait for the others.' But his
companion, David, was already on his way
upstairs: 'It's my father,' he said in a strange,
emotion-laden voice, and continued climbing the
stairs. By this time two more male members of the
group were on the first-floor landing while the
last one had just entered the house. It was his
panic-stricken voice that caused them to pause:
'It's coming after me,' he shouted, 'shine a
torch at it.' He scrambled up the dusty,
mouldering stairs as fast as he could; none of
the others could see the object that had so
frightened him, yet the dust was moving on the
stairs, the wooden treads bending under an
invisible weight, and the sound of heavy
footsteps approached ... The party fled up the
final flight to find David in a state of
hysteria, transfixed by something that only his
gaze could see. The feeling of evil was an
ever-increasing presence in the room, threatening
all of them. Then someone was inspired: 'Let's
sing, come on.' The voices were hoarse yet shrill
as they started on Bread of Heaven but
slowly they grew in confidence and the evil ebbed
out of the room. David always maintained that it was
his father that he had seen at the farmhouse
even though he had been a baby when his father
had died. A few years later the farmhouse was
destroyed by fire and the site bought by a London
property company. They put up the present
building on the site, but not before there had
been endless trouble in building a floor over the
cellar, the scene of murder so many years before.
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